Since Bansky started using the urban landscape as the back ground (or the gesso ) for his art there seems to have been an explosion of painted walls every where. Vancouver is no exception. But what is great about this movement is that it appears to be so fluid as new artists add their personal layers upon others and city officials battle to blot it out and new work appears over night...
I love to mine this rich tapestry and how we inter react with it.

Leica M6, 90mm F2.0 Summicron lens, Fuji Velvia 100 film