As a tourist, I tend to look up... however on the ground most tend to look to their isolators... opps, I mean 'communication' devices.
Leica M6, 90mm F2.8 Tele Elmarit lens, Kodak Ektachrome VS 100 film
Monday, 28 January 2013
Saturday, 26 January 2013
I just developed a few rolls of film that I shot in New York before Christmas (I know, that was a month ago, but film development is about waiting for a surprise, a little like a Christmas gift!)
In short, New York is an amazing, vibrant city; hugely different from the New York I visited 30 years ago. I can't wait to return...
It would seem most New York Architects are male and obsessed with long vertical members...
All 3 images, Leica M6, 90mm F2.8 Emirit, Kodak Ektachrome VS 100 film
In short, New York is an amazing, vibrant city; hugely different from the New York I visited 30 years ago. I can't wait to return...
It would seem most New York Architects are male and obsessed with long vertical members...
All 3 images, Leica M6, 90mm F2.8 Emirit, Kodak Ektachrome VS 100 film
Friday, 25 January 2013
Saturday, 19 January 2013
Monday, 14 January 2013
Winter could be partly defined as my 'blue period' of the year. I can only speculate as to why, but I seem to have acquired a number of 'blue images' in the last while...
Image 1, From the window of my car during an intense down pour at Davis Bay on the 'Sunshine Coast, Leica M6, 28mm F2.8 Elmarit lens, Kodak Ektachrome VS 100 film.
Image 2, Low tide at Cresent Beach, Leica M6, 21mm F4.0 Voigtlander lens, Fuji Velvia 100 film
Image 1, From the window of my car during an intense down pour at Davis Bay on the 'Sunshine Coast, Leica M6, 28mm F2.8 Elmarit lens, Kodak Ektachrome VS 100 film.
Image 2, Low tide at Cresent Beach, Leica M6, 21mm F4.0 Voigtlander lens, Fuji Velvia 100 film
Thursday, 3 January 2013
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